kachinas

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To understand the Kachinas (Katsinas), we have to think at different levels:      

1) There are the dolls (art works) tourists pay big bucks for .
2) There are the dolls that were traditionally given to children to instruct them.
3) There are the Spirit Impersonators who dance in many, but not all, Pueblo religious ceremonies.
4) There are the benevolent ancestral Spirit beings, themselves. We need to understand the role of these powerful beings to understand how present-day Pueblo peoples are connected to their past, their land, and their traditional stories.

Check out some of the important kachinas -- what do they symbolize?  Crow Mother?  Butterfly Maiden? Hand? Oger? Shalako? What is their role in disciplining children? According to the Pueblos, where do the Kachinas live?

Be careful: not all Pueblos have the same practices and beliefs. (Diversity strikes again!) Try to focus on Kachinas at one Pueblo...a good one to research might be Shalako at Zuni. The Hopi are another group you could focus on -- they have a complex Kachina religion. Kachinas also dance at some of the Rio Grande Pueblos. But at some Pueblos, like at Taos, Kachinas never dance in the ceremonial dances. Try to be specific...avoid generalizations!  Help us understand what is behind these figures that Frank Waters called "Masked Gods."   


Bibliography:

Bahti.  Southwestern Indian Ceremonials

Bahti.  Southwestern Indians

Handbook of the North American Indian  (R 970.004 H19)

Mails.  Pueblo Children of the Earth Mother

Tanner.  Ray Manley’s Hopi Kachinas

Thompson.  Hopi Way

Waters.  Masked Gods

Waters.  Book of the Hopi

White.  “Kachina Carvings.”  American Indian Art Magazine  Spring 1984

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